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Rock reborn
3D打印技术1:1复制的千手观音主尊头像_098623.jpg 一名观众正在认真观看明代的香炉展品,此香炉为镂空雕刻,工艺极_098627.jpg 本次展览的明星展品之一,南宋时期的释迦牟尼像,代表了宋代佛像_098628.jpg 观众正在参观北宋时期的罗汉残像展品_098626.jpg 观众正在参观“观无量寿佛经变相龛”的图片展品_098624.jpg
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  • A 3D-printed accurate replication of the buddha head of the Thousand-Armed Goddess of Mercy at the National Museum of China on September 26
  • A visitor studies the intricately patterned incense burner from the Ming Dynasty (1368-1644) on display
  • A Buddha Sakyamuni statue dating back to the Southern Song Dynasty (1127-1279)
  • Tourists visit the exhibits of arhat remnants from the Northern Song Dynasty (960-1127)
  • A visitor observes pictures of shrines
  • 3D打印技术1:1复制的千手观音主尊头像_098623.jpg
  • 一名观众正在认真观看明代的香炉展品,此香炉为镂空雕刻,工艺极_098627.jpg
  • 本次展览的明星展品之一,南宋时期的释迦牟尼像,代表了宋代佛像_098628.jpg
  • 观众正在参观北宋时期的罗汉残像展品_098626.jpg
  • 观众正在参观“观无量寿佛经变相龛”的图片展品_098624.jpg

In China, the Dazu Rock Carvings enjoy the same fame as the Dunhuang Grottoes, with 50,000 statues dating all the way back to the ninth century.

On September 17, an exhibition featuring the valuable rock carvings opened at the National Museum of China. Entitled Remarkable and Graceful: Special Exhibition of Dazu Rock Carvings, it presents a centralized display of 82 of the finest pieces from the Dazu Rock Carvings Museum in Chongqing.

The rock carvings, an outstanding example of China's grotto art in the middle and late periods of ancient China, was added to the UNESCO World Heritage List on December 1, 1999.

Among the pieces are figurines such as dignified and elegant bodhisattvas, merciful and solemn buddhas, humble-looking almsgivers, and intricately patterned incense burners. Once upon a time, these were all exquisitely carved out, composed and varied in subject matter: the peak of ancient China's stone carving art aesthetics.

Meanwhile, as the two-month exhibition of the carvings also goes digital, the combination of traditional engineering and modern technology allows for the Dazu Rock Carvings to be showcased as close to their original condition as possible.  

(Text and photos by Wei Yao)

Copyedited by Elsbeth van Paridon 

Comments to dingying@bjreview.com 

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