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Room with a view
展厅中的星象图让观众“仰望星空”,将天上的壁星和地上的鲁壁联_111038.jpg 清代乾隆御用的紫檀木旅行文具箱是一套箱装形式的组合文具,按动_111034.jpg 观众正在故宫博物院“照见天地心——中国书房的意与象”第一单元_111036.jpg 观众在参观当代艺术家张永和的装置作品《奇镜记》。_111035.jpg 展览再现了清代乾隆皇帝的书房“五经萃室”。_111037.jpg
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  • Visitors study an ancient Chinese astrological chart inside Beijing's Palace Museum on November 8. Chinese astrology itself dates back more than 5,000 years
  • A travel set of the Four Treasures of the Study—writing brush, paper, ink, inkstone—owned by Emperor Qianlong (1711-99) of the Qing Dynasty (1644-1911). Qianlong was known as a cultural emperor and was himself a poet and an art collector
  • People check out a display dedicated to the Four Treasures of the Study on November 8. The actual term was first created by literati during the period of the Southern and Northern Dynasties (420-589)
  • A visitor takes in a mirrored art installation created by Zhang Yonghe, a contemporary Chinese artist, on November 8
  • The exhibition reproduces one of Emperor Qianlong's study rooms
  • 展厅中的星象图让观众“仰望星空”,将天上的壁星和地上的鲁壁联_111038.jpg
  • 清代乾隆御用的紫檀木旅行文具箱是一套箱装形式的组合文具,按动_111034.jpg
  • 观众正在故宫博物院“照见天地心——中国书房的意与象”第一单元_111036.jpg
  • 观众在参观当代艺术家张永和的装置作品《奇镜记》。_111035.jpg
  • 展览再现了清代乾隆皇帝的书房“五经萃室”。_111037.jpg

Generations of ancient Chinese literati already knew all too well that a study could, or rather should, be a place to get far away from the madding crowd and unleash the power of deep thought.

The Palace Museum on August 30 unveiled an exhibition on the Chinese study, which will conclude on November 30. More than 100 cultural items give visitors a glimpse of what a day in the life of an intellectual must have looked like 1,000 years ago. The museum also offers people the opportunity to embrace their inner tranquility and be alone with their thoughts surrounded by the authentic-looking decor.

A study was not only a place for reading, writing and collecting books, but also the epitome of cultural inheritance and prosperity. This exhibition explores and explains the cultural core of the Chinese study and lends this traditional facility contemporary meaning, revealing the close relationship between the intellectuals and the items they kept in their studies.

The Four Treasures of the Study, also known as the Four Jewels of the Study or the Four Friends of the Study, are different expressions of the four essential implements in Chinese calligraphy: writing brush, paper, ink and inkstone, all highlights of the exhibition. Exquisitely manufactured stationery and several items once owned by royalty reflect how devoted the literati were to their work and how the ancient Chinese created so many masterpieces through their expert use of those four tools.

(Text and photos by Wei Yao)

Copyedited by Elsbeth van Paridon

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