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The flow of a nation
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  • A reproduction of the Mogao Grotto's Cave 257 mural, from Dunhuang Academy in Gansu Province, attracts many a visitor eye at The Making of Zhongguo: Origins, Developments and Achievements of Chinese Civilization, an exhibition jointly organized by the Palace Museum and 29 other institutions, in Beijing on April 7. The mural tells the story of a nine-colored deer
  • Bronzewares dating back to the Warring States Period (475-221 B.C.). The treasures from Anhui Museum are China's earliest-known tax-free certificates for cross-border trade between kingdoms
  • Visitors take a closer look at the items on display
  • He Zun, a vessel from the Western Zhou Dynasty (about 1046-771 B.C.), is the oldest known bronzeware with an inscription including the word zhongguo (China)
  • A C-shaped jade dragon of the Neolithic Age. Excavated in the Inner Mongolia Autonomous Region, the Palace Museum collection presents the Hongshan Culture of northeast China
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  • 微信图片_20220407164155_104869.jpg
  • 微信图片_20220407164142_104867.jpg
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The first Forbidden City exhibition of 2022, The Making of Zhongguo: Origins, Developments and Achievements of Chinese Civilization, opened at the Hall of Literary Brilliance on January 25, and will be extended to early May. Its tremendous appeal among Chinese culture and history buffs has even made it hard to obtain a ticket via the Palace Museum's official channels.

Jointly organized by no fewer than 30 renowned institutions, the showcase presents over 130 pieces or sets of precious cultural relics from the Neolithic Age, all the way through the Qing Dynasty (1644-1911). Artifacts and artworks include pottery, jade, bronze, gold and silver, as well as calligraphy, painting, rare documents and seals. Some national treasures, like the He Zun, an ancient ritual wine vessel, the Changxin Palace Lantern, and the Four Medical Tantras, too, are on show.

The exhibition compares the longstanding civilization of China to a great flowing river. It interprets the origin, propagation and progress of society as sources (yuan), streams (liu) and confluence (hui), the core concepts of the exhibition's subdivisions.

The retrospective starts from the Sources, with an exposition on the nation's geography and the birth of Chinese civilization. There, visitors can learn more about the unique material culture, philosophical schools, values, systems and multiple ethnic groups.

The Streams represent the history of the fusion of regional cultures and ethnic distinctiveness into a unified national identity, human destiny, and global life.

The confluence explains the Chinese concepts of benevolence, the traditional unification of family and state, and the spirit of perfection, innovation, and wisdom running through the achievements of China's traditional culture like a red thread.

(Photos and text by Wei Yao)

Copyedited by Elsbeth van Paridon

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